Photo of Marketa

Photo of Marketa

Photo of Marketa


Marketa Irglová is a musician and actor born in Valasske Mezirici in the Czech Republic on February 28, 1988. While neither of her parents played music, her father was a journalist and patron to many artists, and music was a constant in their household. Marketa’s parents always kept their door open to travelers and all found a warm welcome in their home. Three years later the family welcomed another daughter, Suzie. At seven years Marketa began learning the piano as this had been her mother Jana’s own unfulfilled childhood dream. Her father insisted a year later that she also learn to play guitar saying that the piano would be, in his words “too impractical to haul around”, unlike a guitar which can be carried on one’s back and passed around a campfire.

In 2004, Marketa met Glen Hansard of the band, The Frames through her father who was promoting their shows in the country. The family hosted a welcoming party upon the bands arrival in their home town. Greetings were exchanged, and many songs were sang as is the custom when both Irish and Czech people get together. Marketa requested a song from The Frames which she had heard and grown to love called Star Star**. Glen agreed to play it with the condition that Marketa would sing along. Instantaneously the band was struck by her talents and invited her to perform with them the next day at a local music festival called Spalicek. During this time Glen became a dear friend to the family and visited their home during times of repose from touring. He also became a musical mentor to Marketa and in turn used her as a soundboard for new material he was writing. Her classical training offered a welcome counter point to his learn-as-you-go approach that had been mined since the age of fourteen. The seeds for what would become The Swell Season took root at this time.

Marketa was approached by Glen to collaborate on music for a small Irish film he was being asked to score. The film was called, Once and was being made by The Frames one time bassist and Glen’s friend, John Carney. The two entered a studio in the Czech Republic and recorded close to twenty songs for the film. The project was christened The Swell Season after a book by Czech author Josef Skvorecky which both Glen and Marketa were reading and inspired by during this session. John had been looking to cast a woman in her 30’s from Eastern Europe who played piano in the role of his leading female character and asked Glen if he had met someone who fit these requirements somewhere on his travels. Glen said he knew a girl in Czech Republic who could be just what he was looking for except she was only 17. John asked Glen to invite Marketa to come to Ireland and audition for the part, which he did. Marketa gladly accepted, took time off school and boarded a plane to Dublin. A dinner party was held at Glen’s apartment and the circle of his friends and family invited, among them John Carney with his partner Marcella. Towards the end before people scattered back to their homes, John asked Marketa to play him something on the piano. She performed a few classical pieces which she had prepared for this purpose and John offered her the part. A concert in Dublin’s music venue Whelan’s was organized for Glen and Marketa to play some music together and once hearing and seeing the chemistry between the two John asked Glen to also star in the movie. This chance offer accepted by both would reward them handsomely.

Once went to Sundance in January 2007 with little to no expectation. The movie was made for around $150,000 and stared a complete unknown in Marketa and a relative unknown in Glen. The film featured a score by the two of them and won the World Cinema Audience Award. The movie was released to critical acclaim in May of the same year and the two were singled out for both their acting and singing performances in it. Throughout 2007 the two performed as The Swell Season and Marketa experienced her first time actually being “on tour”. It was an overwhelming time for someone fresh out of the U.S. equivalent to high school. But it was also a magical time as the journey seemed to be heading to a place nobody could have ever predicted.

At the start of 2008, one of the songs Marketa wrote with Hansard for Once “Falling Slowly” was nominated for, and subsequently won an Academy Award for Best Original Song. Marketa became the first Czech woman to win an Oscar, and at 19-years-old became the youngest person to win an Oscar in a musical category. Glen and Marketa performed the song live on the Oscar broadcast at the famous Kodak Theater introducing the band to an even wider audience. When they went on stage to receive their awards, Marketa’s acceptance speech was preempted by the orchestra’s music cue to leave the stage. For the first time in the history of the awards show, Marketa was invited back to deliver her speech following the commercial break. A classic Oscar moment was born.

Marketa continued to tour as The Swell Season covering the world twice over. During this time Marketa was writing more and more and at the start of 2009 the two entered the studio to record their follow up to the Once soundtrack. After recording was completed in March, Irglova returned to Ireland to rest. With her “new found” fame, came some “new found” income and with it she bought a home in the country. It was here she found some solace and was able to finally digest the insanity that had been the previous two years of her young life. It was during this time she began to formulate ideas for a possible solo record.

In the fall of 2009, The Swell Season released their second album, Strict Joy. Contained on it were two new compositions from Marketa, along with a number of duets with Glen. The record was released to both critical and commercial acclaim. The Swell Season would begin a world tour that would run until October of 2010. During this time Marketa fully blossomed into a seasoned performer.

During 2011 Marketa moved to New York City and established a new relationship with music, where most of her debut album ANAR was written. At an intimate art and performance room in Brooklyn called Zora Space, Marketa met an Iranian singer and daf player, Aida Shahghasemi, and under her influence was moved to share her solo material and experiment with new sounds. She began to craft songs with her solo effort in mind, inspired by this friendship and collaboration as well as other musicians and fans from varying cultures. ANAR became Marketa’s creative outlet in documenting and expressing the personal journey she had been on the previous year.

In the spring of 2012 she began recording her follow up album MUNA, in Iceland. She fell in love with the country and the people, and one person in particular. She is still there and is now the proud mother .

In a relatively short time Marketa has accomplished some incredible stuff, seen even more amazing things and walked through her fair share of fire. With each step she has strived to stay grounded and centered and learn from both the ups and the downs.

AWARDS Academy Award for Best Original Song for Falling Slowly from Once) (2008) Critics Choice Award LA for Best Original Song (2008) LA Film Critics Award for Best Original Score for Once (2008) Grammy Award for Best Musical Theatre Album for Once (2013) Olivier Award UK for Outstanding Achievement in Music (2014) Tony Award NYC for Best Musical for Once (2013)

Top photo by Hordur Sveinsson. Photo 2 by Conor Masterson. Final photo by Sion Fullana.

Photo of Mio


Born and raised in Reykjavik, Iceland, Sturla Mio Þórisson has a keen ear for details and a true passion for the art of recording. Mio classifies his production style as one of “supportive collaboration with the artist, never to outshine the songwriter, always aiming to provide encouragement and the warmth that is integral to each body of work. I strive to nurture the sound and atmosphere of a song as a whole while keeping tabs on all the little details that make up the really delicious headphone candy.” Mio’s studio portfolio is extensive and varied. To date, he has worked with Damien Rice, Marketa Irglova, Owen Pallet, Svavar Knútur, Moddi, Therese Ævne, Duo Harpverk, Tina Dico, Mia Maestro, Shahzad Ismaily, Tomoyo Harada, Valgeir Sigurðsson, Sam Amidon, Nico Muhly, and many other inspiring artists. He has mixed albums in styles ranging from jazz to rock to electronica, continuously honing his craft and expanding his skills into the realms of production, recording, editing and mixing, in the studio and live. “Honestly,” he maintains, “I just love being there to help out with all the things that need helping out with.”

Mio commenced his training in the studio arts back in 1999, when he began working at Greenhouse Studios in the suburbs of Reykjavik under the mentorship of his older brother Valgeir Sigurðsson, the facility's founder and sonic mastermind. Mio, who had a background in boat building and aircraft engineering, was called on to use his skills to transform a painter’s residence into a world-class recording studio. “A lifetime of taking stuff apart and putting it back together,” he remarks. “There is much to be learned from breaking down walls and building anew.” Once the studio was up and running, Mio kept busy with graphic design projects. Then, in 2002, he was offered an internship by Valgeir, who recognized his potential and talent in the field of record engineering. Mio spent the next ten years at Greenhouse honing his studio craft, becoming familiar with the workings of each piece of equipment, and developing ancillary skills such as learning how to make guests feel welcome and cared for. Above all, Mio says, he was learning how to answer the question: “How can we make you feel great and this thing you are playing here sound f***ing awesome?!!” By the time he had concluded his internship, Mio knew Greenhouse’s every cable, microphone and signal path, had intimately studied the mixing desk and could also make the absolute perfect cup of coffee. Then, as the in-house studio engineer, he began taking on his own projects. At first, he worked on whatever came his way, from punk rock to metal recordings, and enjoyed every second of it. But over time he became more selective, his project choices informed more by aesthetic than practical concerns. By now Greenhouse had established an impeccable reputation at home and overseas, and began attracting aspiring engineers from all over the world, all of whom Mio trained. In 2005 he was appointed studio manager, organizing Greenhouse’s day to day logistics: bookings, recording sessions, budgeting, financial management, and the coordination of production spaces. He also played a crucial role in the technical evolution of the studio, building new recording areas, equipment, furniture and so on. In 2006, Mio became involved with an independent label called The Bedroom Community, founded by Valgeir with Nico Muhly and Ben Frost, and his role expanded to include project and product management, overseeing album artwork and production. He also acted as production manager for artists’ live shows, “always being there to help out with all those things that need helping out with.”

Greenhouse continued to prosper under Valgeir's and Mio's guidance and management, and projects kept rolling in. Mio's professional first love was always the engineering though, that art of best capturing all those soundwaves inspired musicians can create. He recorded albums with Owen Pallet, Therese Ævne, Duo Harpverk, Þorvaldur Þór Þorvaldsson, Moddi, Helgi Hrafn Jónsson, Tina Dico, Shahzad Ismaily, Mia Maestro, Tomoyo Harada, Your Headlights Are On, Valgeir Sigurðsson, Ben Frost, Sam Amidon and Nico Muhly amongst many others.

In March 2012, Mio was brought in as recording engineer in a session for Marketa Irglova's 2nd solo album Muna. What began as a ten-day recording stint grew into a larger and intimately heartfelt project. Mio decided to dedicate his energies entirely on his work with Marketa, to realize Muna, which took the better part of a great year. Following the album's release, Mio joined the international tour of the Marketa Irglova band in the role FOH engineer.

During the mixing phase of Muna, Mio and Marketa kept talking about having their own studio space. A place in the world where they had a place for every thought, feeling and inspiration. A place where there was always a room for each thought or feeling. They were both tired of being bound by someone else’s time or budget concerns. From these wishes, the seeds of Masterkey were pollinated. While accumulating equipment to set up their own recording space, what began as a five-day session with a string section for a new Damien Rice record grew into a project that took a whole beautiful year to fully nurture towards a release. The completed album, entitled My Favourite Faded Fantasy, was released in the fall of 2014.

Mio currently runs Masterkey Studios with his partner Marketa Irglova, and is dedicated to producing, recording, editing and mixing albums, but also enjoys touring as a front-of-house engineer. At 39 years old, he is not just this sonic craftsman guy, but the proud father of three kids. He is also, in his own words: “easy to get along with and a pretty decent human being.”